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Elle Fanning

Disney Continues the Story of MALEFICENT: Mistress of Evil On Bluray

maleficent cover

Jeri Jacquin

Coming to Bluray/DVD and Digital from director Joachim Ronning and Walt Disney Home Entertainment to continue the story of MALEFICENT: Mistress of Evil.

Aurora (Elle Fanning) is now Queen of the Moor, doing her daily duties and, on this day, being proposed to by Prince Phillip (Harris Dickinson). She and Phillip are thrilled until they both realize that they must tell their respective parents. Phillip rides off to talk with his mother Queen Ingrith (Michelle Pfeiffer) and father King John (Robert Lindsey).

Diaval (Sam Riley) overhears the proposal and flies off to forewarn Maleficent (Angelina Jolie) who doesn’t take the news very well. Letting Aurora know how she feels, it is the young woman that pleads with the woman who has been her mother to go to the castle and meet Phillips parents. Wanting her happiness, Maleficent begrudgingly agrees.

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The town is on high alert when Aurora, Maleficent and Diaval arrive at the castle gate. Being introduced to the King and Queen, they all sit down to dinner. Almost immediately there is a bit of shade being thrown by the Queen towards Maleficent bringing up the past. Aurora senses it and tries her best to keep the fae calm. Eventually a line is crossed and Maleficent stretches her wings. When the King falls to the ground, the Queen screams out that a curse has been placed on him.

Not willing to wait around for the guards, Maleficent commands Aurora to join her but when that doesn’t happen, she swiftly flies away. Waiting on the roof is Gerda (Jenn Murray) who sends a buckshot into Maleficent. Falling into the sea she begins to sink and unexpectedly rescued by fae Conall (Chitwetel Ejiofor) who takes her to a place where other fae are in hiding. He tells her things she never knew and meets another hot headed fae Borra (Ed Skrein).

The Queen prepares for war with secrets beneath the castle and Maleficent realizes that her Moor is under attack. Trying to save what she can, it is Conall that is now wounded. Not wanting to wait any longer, the Queen decides it’s time for a wedding, but Aurora feels as if she is being forced to change.

As the castle prepares, a secret is unleashed on the fae in a battle that can only be won by the total destruction of one side or the other. It is time for secrets to end and an understanding between human and fae to come forward before everything each side holds dear is destroyed.

Jolie as Maleficent returns to a role she has made truly her own. In this film she has a difficult time seeing her ‘beastie’ grow into a woman. Wanting her to stay in the Moor is everything and Prince Phillip is what stands in the way. In this film the character discovers more about her own roots than she ever knew before but still must make decisions that are painful. Jolie is entertaining, tries to be as good as she can but when push comes to Queen-shoving, Maleficent will do whatever it takes to save those she loves.

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Fanning as Aurora has grown into a young woman who is ready, after five years, to finally wed the man she loves. Torn between the family she is going to marry into and the family she already has, the struggle is before her when Maleficent loses her temper. Being a smart young woman, Aurora knows that something isn’t quite right and goes about finding the truth that is going to hurt those she loves. Fanning has given Aurora a very strong sense of herself and, like Maleficent, gives her character some bite when necessary.

Pfeiffer as Queen Ingrith is just about as wicked as they come who doesn’t really have a reason other than she’s been unhappy for far too long. There is a crazy here that makes Maleficent look like a saint because the Queen is being devious, manipulative and hurts those that don’t deserve it in a very short period of time. Pfeiffer gives it everything she’s got with every evil look she can muster but she looks fabulous in the tiaras!

Dickinson as Prince Phillip is a young man in love with a girl who runs barefoot on the Moor. He wants to bring both kingdoms together to live in peace but can’t seem to get anyone to agree on how to make that happen. With Aurora he knows they can work together but what he doesn’t know is that forces are against him. Riley as Diaval wants Aurora to be happy but also wants Maleficent to keep her cool and he is the one caught in between the ladies.

Ejiofor as Conall is a fae who is a lot like Prince Phillip in that all he wants for his people is peace and the ability to not have to hide away in a cave. He doesn’t want his people to fear humans and hopes Maleficent can be the conduit for that to happen. Skrein as Borra is a bit like Maleficent in that he is full of rage towards humans and can only see attacking them as an answer to what separates them.

Other cast include Juno Temple as Thistlewit, Imelda Staunton as Knotgrass, Warwick Davis as Lickspittle, Lesley Manville as Flittle, Miyavi as Udo, Judith Shekoni as Shrike and Alex Martin as Tundra.

Walt Disney Studios Home Entertainment began distributing under its own label in 1980 and continues to bring quality programming to kids and kids at heart. Home of the most beloved animated features including SNOW WHITE, PINOCCHIO and SLEEPING BEAUTY to name a few is what keeps families coming back for more. To see what is currently available to add to your own family library please visit. http://www.movies.disney.com for their At Home titles!

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The Bluray includes the Bonus Extras of Extended Scenes, Behind the Scenes Look at the magic of MALEFICIENT: Mistress of Evil, outtakes, aurora’s Wedding and more!

MALEFICENT: Mistress of Evil is a bit of a stretch in the title. The story of Aurora and Phillip takes another step with Maleficent dragging her feet all the way. Funny thing is, she had every right to do it considering the underhandedness and shade thrown by Phillip’s mother the Queen. Jab after jab I’m surprised that it took so long for the green mist and red eyes to appear! Immediately I was on Maleficent’s side and cheered her on the entire film.

That being said, this is totally a Disney movie from start to finish. It has love, family, doing what’s right no matter what the cost and it is all in a beautiful castle setting. Of course, the kid in me (and it’s still there where Disney is concerned) loves the idea of the Moors filled with creatures of all kinds bringing the silly, cute and loyal to the surroundings.

Everyone in the theatres loved the film so you can imagine how this will easily become part of anyone’s Disney home library. That’s important because even though there are parts that are intense, it is still about family, friendship, knowing who you are and being ready to defend those that might be defenseless. As I said, all Disney qualities!

In the end – go beyond the fairy tale!

Disney Continues the Story of MALEFICENT: Mistress of Evil

Maleficent cover
Jeri Jacquin
Coming to theatres this Friday from director Joachim Ronning and Walt Disney Pictures to continue the story of MALEFICENT: Mistress of Evil.
Aurora (Elle Fanning) is now Queen of the Moor, doing her daily duties and, on this day, being proposed to by Prince Phillip (Harris Dickinson). She and Phillip are thrilled until they both realize that they must tell their respective parents. Phillip rides off to talk with his mother Queen Ingrith (Michelle Pfeiffer) and father King John (Robert Lindsey).
Diaval (Sam Riley) over hears the proposal and flies off to forewarn Maleficent (Angelina Jolie) who doesn’t take the news very well. Letting Aurora know how she feels, it is the young woman that pleads with the woman who has been her mother to go to the castle and meet Phillips parents. Wanting her happiness, Maleficent begrudgingly agrees.
mal 4
The town is on high alert when Aurora, Maleficent and Diaval arrive at the castle gate. Being introduced to the King and Queen, they all sit down to dinner. Almost immediately there is a bit of shade being thrown by the Queen towards Maleficent bringing up the past. Aurora senses it and tries her best to keep the fae calm. Eventually a line is crossed and Maleficent stretches her wings. When the King falls to the ground, the Queen screams out that a curse has been placed on him.
Not willing to wait around for the guards, Maleficent commands Aurora to join her but when that doesn’t happen, she swiftly flies away. Waiting on the roof is Gerda (Jenn Murray) who sends a buckshot into Maleficent. Falling into the sea she begins to sink and unexpectedly rescued by fae Conall (Chitwetel Ejiofor) who takes her to a place where other fae are in hiding. He tells her things she never knew and meets another hot headed fae Borra (Ed Skrein).
The Queen prepares for war with secrets beneath the castle and Maleficent realizes that her Moor is under attack. Trying to save what she can, it is Conall that is now wounded. Not wanting to wait any longer, the Queen decides it’s time for a wedding but Aurora feels as if she is being forced to change.
mal 1
As the castle prepares, a secret is unleashed on the fae in a battle that can only be won by the total destruction of one side or the other. It is time for secrets to end and an understanding between human and fae to come forward before everything each side holds dear is destroyed.
Jolie as Maleficent returns to a role she has made truly her own. In this film she has a difficult time seeing her ‘beastie’ grow into a woman. Wanting her to stay in the Moor is everything and Prince Phillip is what stands in the way. In this film the character discovers more about her own roots than she ever knew before but still must make decisions that are painful. Jolie is entertaining, tries to be as good as she can but when push comes to Queen-shoving, Maleficent will do whatever it takes to save those she loves.
Fanning as Aurora has grown into a young woman who is ready, after five years, to finally wed the man she loves. Torn between the family she is going to marry into and the family she already has, the struggle is before her when Maleficent loses her temper. Being a smart young woman, Aurora knows that something isn’t quite right and goes about finding the truth that is going to hurt those she loves. Fanning has given Aurora a very strong sense of herself and, like Maleficent, gives her character some bite when necessary.
Pfeiffer as Queen Ingrith is just about as wicked as they come who doesn’t really have a reason other than she’s been unhappy for far too long. There is a crazy here that makes Maleficent look like a saint because the Queen is being devious, manipulative and hurts those that don’t deserve it in a very short period of time. Pfeiffer gives it everything she’s got with every evil look she can muster but she looks fabulous in the tiaras!
mal 3
Dickinson as Prince Phillip is a young man in love with a girl who runs barefoot on the Moor. He wants to bring both kingdoms together to live in peace but can’t seem to get anyone to agree on how to make that happen. With Aurora he knows they can work together but what he doesn’t know is that forces are against him. Riley as Diaval wants Aurora to be happy but also wants Maleficent to keep her cool and he is the one caught in between the ladies.
Ejiofor as Conall is a fae who is a lot like Prince Phillip in that all he wants for his people is peace and the ability to not have to hide away in a cave. He doesn’t want his people to fear humans and hopes Maleficent can be the conduit for that to happen. Skrein as Borra is a bit like Maleficent in that he is full of rage towards humans and can only see attacking them as an answer to what separates them.
Other cast include Juno Temple as Thistlewit, Imelda Staunton as Knotgrass, Warwick Davis as Lickspittle, Lesley Manville as Flittle, Miyavi as Udo, Judith Shekoni as Shrike and Alex Martin as Tundra.
MALEFICENT: Mistress of Evil is a bit of a stretch in the title. The story of Aurora and Phillip takes another step with Maleficent dragging her feet all the way. Funny thing is, she had every right to do it considering the underhandedness and shade thrown by Phillip’s mother the Queen. Jab after jab I’m surprised that it took so long for the green mist and red eyes to appear! Immediately I was on Maleficent’s side and cheered her on the entire film.
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That being said, this is totally a Disney movie from start to finish. It has love, family, doing what’s right no matter what the cost and it is all in a beautiful castle setting. I do think that there seemed to be a bit more violence than I was prepared for favoring one side over the other. Of course the kid in me (and it’s still there where Disney is concerned) loves the idea of the Moors filled with creatures of all kinds bringing the silly, cute and loyal to the surroundings.
Everyone seemed to have a wonderful time throughout the film. That’s important because even though there are parts that are intense, it is still about family, friendship, knowing who you are and being ready to defend those that might be defenseless. As I said, all Disney qualities!
In the end – go beyond the fairy tale!

Frankenstein’s Story Hauntingly Told Through MARY SHELLEY

Mary Shelly cover

Jeri Jacquin

Coming to theatres from director Haifaa Al Mansour and IFC Films is the story of Frankenstein told from his lovely creator MARY SHELLEY.

Mary Wollstonecraft Godwin (Elle Fanning) is a young girl who misses the mother she never knew and deals with step-mother Mary Jane (Joanne Froggatt) she wishes she didn’t. Her father William (Stephen Dillane) is a renown philosopher who sees something wild in his daughter. Consistently putting her thoughts to paper, she is looking for a life that is not the norm.

Seeing all this, Mary’s father sends her to visit Isabel Baxter (Maisie Williams), family who understands her in a surprising way. When the Baxter’s hold a gathering, Mary sees Percy Shelley (Douglas Booth) and is moved to hear he is a poet. They begin spending time together discussing things she has not been able to with anyone else.

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But their time is short lived when Mary is recalled home to sister Claire (Bel Powley) who misses her. The tension that was there before has returned and the only light is a gentleman caller who wishes to be mentored by Mr. Godwin. Mary is stunned when it is Percy who comes through the door.

Wanting to be together, Mary’s father is outraged and Claire only begs to go when she does. Packing up to start a new life, the two meet with Percy moving into a place of their own. Mary and Percy’s happiness is hanging by a thread as she tries to recover from tragedy as well as the cruel gossip.

Out for a night, they all meet Lord Byron (Tom Sturridge) who invites them to come to his country estate for a visit. Claire is more than thrilled as she tells Mary that she’s not the only one that can land a poet. There is constant drinking and discussion but Mary can not find her words. That is when Byron throws a challenge for them each to write a ghost story.

The only horror is when Claire is devastated by Byron and Mary doesn’t want to live the craziness of a poet’s life. Returning to London, she puts pen to paper and creates Frankenstein: Or the Modern Prometheus yet no one will publish her works. Even friend John Polidori (Ben Hardy) writes his ‘ghost story’ and it was stolen from him.

Mary wonders if anything is going to change when the two people she needs to stand by her most do just that. She made her own rules and wrote her own way to being Mary Shelley.

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Fanning as Mary is delicate, determined, soft-spoken, fierce attitude and lyrical in her writings. It is easy to forget that this was life in 18th century London and Mary’s role as a woman was carved in unmovable stone. Fanning’s performance gives us all and more with her alabaster and frail appearance. Underneath that is a fire this actress gives to a woman who knows that she doesn’t fit in to the mold. Her thought process and creativity are bursting and only the distraction of Shelley slows her down. Taking her life experiences to further her quest is not only staggering but breath taking at the same time.

Booth as Percy is everything a rogue poet would look like to me. He is dark in his writings and seductive when he focuses on something – singularly Mary. Believing he can have the bohemian life with her, it is his narcissism and entitlement that gets in the way of them both. Booth gives that performance from beginning to end with a hope of redemption for the man he is portraying.

Dillane as Godwin is a father who sees his daughter has not been happy most of her life. Dreaming of a mother she never knew, he can only encourage her to find the words to make her life have meaning. Froggatt as Mary Jane does a fantastic job in getting me not to like her which is so weird because she was one of my favorite Downton Abbey characters.

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Powley as Claire is a young woman who wants the same thing as Mary and the only way to get it is to live in her shadow. Sturridge as Lord Byron plays a man who has no conscious at all and has no qualms in using anyone for anything he needs. What a strange place 18th century London was!

Williams has a small role as Isabel, the cousin who seems to understand the wild side of Mary and encourages it. She is swift and charming as only Williams can be.

Other cast include: Hugh O’Conor as Samuel Coleridge, Ciara Charteris as Harriet Shelley, Sarah Lamesch as Eliza and Jack Hickey as Thomas Hogg.

MARY SHELLEY is a deep and intense period drama about a woman who was clearly born in the wrong century. Her grasp of the written word came at an early age with her desire to get out everything hiding within her. Trying to live the best life by her terms, it seemed her terms were even to difficult for those around her to grasp.

Falling in love with Shelley could be considered the step off of a difficult life but who are we to judge that. How many of us have chosen to be with a person we know is wrong for us or will challenge our sanity – yet we still do it? That is exactly what happened to Mary to the day Percy died.

Mary Shelley

I have read books about Mary Shelley’s life and to say it was a difficult one is an understatement. Deaths of family, children and constantly being questioned about the authorship of Frankenstein, I have long admired her tenacity to put all of it at bay and continue with her work while raising her son.

The film gives only a powerful glimpse of her life as a young woman but it is so well and beautifully done. The cinematography and costuming lend itself to bringing me into the story quickly and keeping me until the very end.

Mary Shelley wanted a life different than the women of her time and the difficulty in doing so is putting yourself in harms way with society. Like today, chatterboxes and gossipers can destroy a person with word and Mary couldn’t escape that. The truth is that it would take many Mary’s to get where we are today and that is enough reason to want to know more about this rare woman.

In the end – her greatest love inspired her darkest creation!

THE VANISHING OF SIDNEY HALL is Stunning Storytelling!

the vanishing

 

Jeri Jacquin

In theatres this week from writer/director Shawn Christensen and A24 is a film that allows us a look inside of a life of secrets with THE VANISHING OF SIDNEY HALL.

Sidney (Logan Lerman) is a young man who sees the world differently than his classmates. He finds solace in writing and is encouraged by his teacher who sees something special in him. Sidney also has a little mystery in his life when a girl who lives across the street lets a bit of her feelings show.

He introduces himself to Melody (Elle Fanning) and they begin a deep relationship that Sidney knows is life changing. What becomes life-altering is when school jock Brett Newport (Blake Jenner) asks Sidney to hold something for him and to tell no one. Happy to oblige, he is also curious about what had Brett so nervous.

What happened between the two young men becomes the subject of Sidney’s book that sky-rockets him to literary stardom. The fame becomes a whirlwind that begins to affect his relationship with Melody and when it all begins to fall apart – Sidney disappears without a trace.

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That’s when a detective (Kyle Chandler) begins searching for Sidney who is wanted for a series of fires set in places where there are books. Trying to follow the clues, the detective hopes it will lead to Sidney and answers as to what happened to push this young man toward a path filled with pain.

Lerman as Sidney carries this story and film brilliantly in a way that kept me wondering how much more one life can take. I literally couldn’t take my eyes off his performance because his character is so dedicated to everything he pursued that the pitfalls just crushed my heart. All of that emotion is because of Lerman’s portrayal which is a thing of true beauty.

Fanning as Melody clearly enjoys life, sees the beauty past the pain and loves Sidney. Her character sees the best in Sidney and supports when it all becomes too much for him. Trying to be his support comes at a price that Melody seemed more than willing to pay until it was no longer just she that would pay.

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Chandler as the Detective is absolutely amazing in this role. Watching him take each crime scene apart piece by piece to ‘get his man’, it also gives the viewer the same opportunity to go back into Sidney’s life and see what might have gone unnoticed because, like our own lives, it is all in the eye of the beholder. I loved this performance by Chandler but then again if you’ve seen the series Bloodline, you know this actor was certainly up to the challenge in this role.

The must-see breakout performance is Jenner as Brett Newport. This BMOC senior jock walks the hallways of high school in his letterman’s jacket without a care in the world. Sometimes what we think is so true of someone can turn at a moments notice. Jenner’s character brings harshness mixed with a sadness that feels so real for this young man.

Another shout out to Nathan Lane as Harold! Although his role isn’t large, Lane has the unique ability to make every second he is on screen count and playing Harold is no exception. As Harold, Lane is brash, bold and I loved it.

Other cast include Michelle Monaghan as Mrs. Hall, Janina Gavankar as Gina, Margaret Qualley as Alexandra, Yahya Abdul-Mateen II as Duane, Tim Nelson as Johan, Michael Drayer as Max, Christina Brucato as Jeanine, Alex Karpovsky as Bauer, Darren Pettie as Gerald Hall and David Basche as Senator Dale.

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TUBS OF POPCORN: I give THE VANISHING OF SIDNEY HALL four tubs of popcorn out of five. I know it is early in the year yet I feel like I’ve seen something stellar, heart felt wrapped in an honestly original story. Filled with a weaving of time periods that is done with such ease and yet so compelling to watch.

This is a cast that envelopes every moment of screen time stretching my emotional core and just when I thought I could take a deep breath – twist! Isn’t that what we want from good storytelling and good filmmaking? That’s what this film is all about, testing us all to our emotional limits and rooting for each to release the memories that hold them down.

Trust me when I say there is so much more to the film that I will not put in this review. I truly want everyone who sees this film to experience each moment for themselves and jaw drop at the twists that are nothing short of brilliantly done. The cinematography is equally well done and if you thinks places in the world are just geography – think again.

In the end – it’s all about beginnings.

 

 

THE BEGUILED

beguiled

 

Jeri Jacquin

Coming to theatres this Friday from director Sophia Coppola and Focus Features is a story of love, jealousy and one man in the middle of THE BEGUILED.

It is Virginia at the time of Civil War as head mistress Miss Martha (Nicole Kidman) keeps the students of her girls school hidden away from war. Teacher Miss Edwina (Kirsten Dunst) gives lessons to the young ladies Alicia (Elle Fanning), Amy (Oona Laurence), Jane (Angourie Rice), Marie (Addison Riecke) and Emily (Emma Howard).

Foraging in the woods, Amy finds Confederate Corporal McBurney (Colin Farrell) wounded up against a tree. Instead of alerting the Union soldiers, she takes him back to the school. Alarmed at what Amy has done, Miss Martha still takes the soldier inside being reminded it is the Christian thing to do. Tending to McBurney’s wounds, a decision is made that he will stay until well enough to be turned over to the Union Captain.

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Immediately McBurney’s presence begins to have an impact on the women and girls of the school. McBurney takes a keen interest in Miss Edwina and she shares her desire to be gone of the school. Miss Martha is also affected by his presence but she maintains an air of Southern hospitality and charm. It is Alicia (Elle Fanning) who makes it clear to McBurney that she is smitten with him.

As he begins to heal, McBurney helps around the grounds with gardening and fixing things. The tensions begin to rise when McBurney and Miss Edwina get closer but one slip brings disaster to the entire house. One fateful error brings a group decision that will change everything each of them thought about themselves and each other.

Kidman as Miss Martha is cool, calm and steadfast – even when her own womanly desires kick in. I love when Kidman puts on a corset and tight chignon and makes it clear that no one is going to mess with her, especially a Confederate soldier with an Irish brogue.

Farrell as McBurney is charming, dark and doing what ever it takes to survive. Lets be honest, he smolders on screen whether he wants to or not which adds to the intensity in many scenes. Dunst as Edwina is a woman clearly unhappy with life and feeling trapped inside the school. Her performance gives the faraway wants of this character on point.

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Fanning as Alicia is the teenage temptress who pretends to follow along with the rules but in fact is trying to find ways to break every one of them. Laurence as Amy wants to believe the best about McBurney and convinces everyone else to do the right thing. Rice as Jane is a mini-Miss Martha with Riecke as Marie and Howard as Emily round out the young girls trying to feel safe in the middle of a war.

In 1971 director Don Siegel brought THE BEGUILED to the screen with Clint Eastwood and Geraldine Page and I loved every frame of that storytelling. That’s what makes the 2017 version so difficult for me. Cinematically it is beautiful although I’m not sure how many shots of moss dangling from trees and the sounds of birds I could take over and over again.

The cast is amazing and I wouldn’t have changed a thing about that portion of the film. However, that being said, there is something greatly missing and I can’t even tell you what that is. I want to say it seemed the film just went through the motions but that would be insulting Farrell, Kidman, Dunst and the cast that clearly put their all into the film. It is probably my disappointment in the film being remade when the original stands on its own.

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I am not a fan of remakes, retellings, rethinkings, or reimaginings as anyone who knows me will tell you. I have said it over and over that the creativity seems to have gone out of Hollywood. Instead of presenting movie goers with new and amazing stories, it seems the decision makers believe that no one will complain if they just recycle (oh look, another “re”!) that they can get by.

This version of THE BEGUILED is a Saturday afternoon relaxing in front of the television type film that will lull the senses and for that I’m saddened. The costuming is stunning which adds a dimension of richness to southern sensibilities.

In the end – innocent until betrayed!

 

THE NEON DEMON Lights Up on Bluray

neon-demon-blu-ray-01

 

Jeri Jacquin

Coming to Bluray from writer/director Nicolas Winding Refn and Broad Green Pictures is a film that is jaw dropping when it comes to dealing with THE NEON DEMON.

Jesse (Elle Fanning) is a young girl looking to become famous in the modeling world. Living in a beat down hotel room run by creepy Hank (Keanu Reeves), she meets Dean (Karl Glusman) who also aspires to be a famous photographer. Taking pictures for a portfolio the two become friends.

Taking her photos to a Roberta Hoffmann (Christina Hendricks) she is sent on her first job with the famous Jack (Desmond Harrington). There she meets makeup artist Ruby (Jena Malone) who is thrilled to make a new beautiful friend and keeps her eye out for young Jesse. Ruby also introduces Jesse to her friends Gigi (Bella Heathcote) and Sarah (Abbey Lee).

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Almost over night Jesse becomes a successful model and loves the attention it brings. Now that the industry recognizes her beauty and gives her fame, jealousy begins within the new group of friends.

A misunderstanding between Ruby and Jesse bring about the ultimate confrontation between love and beauty.

Fanning as Jesse is perfection for this role. She is wide-eyed innocent yet stunningly beautiful which is the draw for the industry casting agents, photographers and designers. Attempting to find the way on her own, it is inevitable that she would deal with people like Hank, Jack and even Ruby. Her character is flowingly sweet one moment, hard and intense in couture the next. Fanning made it look crazy easy!

Malone as makeup artist Ruby takes to Jesse right away and feels the need to protect her. When Jesse has problems with her living situation, it is Ruby that comes to the rescue. Malone is sweetly presented and as a makeup artist has the ability to create the masks the industry wants from their models.

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Heathcote as Gigi and Lee as Sarah are two girls struggling to get to the status that Jesse seems to get with ease. Feeling as if they had worked harder to achieve success, jealousy begins to rear its ugly designer wearing heads. These two young ladies are cold and cool.

Reeves as Hank is mean spirited and a little disturbing but then again that’s what I’d expect from a guy who had a seedy hotel. It’s just when Reeves plays this kind of role it’s a tad unnerving! Glusman as Dean falls for Jesse but has a surprise coming that might change his feelings.

Other cast include: Jamie Clayton and Stacey Danger as Casting Assistants, Rebecca Dayan as Dresser, Taylor Hill as the Flirty Model and Charles Baker as Mikey.

Broad Green Pictures began in 2014 with founders Gabriel and Daniel Hammond. Dedicated to providing filmmakers infrastructure and marketing, it gives script to screen the support. That is necessary to bring incredible stories to the largest audience. For more of what they have slated for the future and available now please visit www.broadgreen.com.

THE NEON DEMON is definitely a film for the audience that looks for the unusual. This has the feel of David Lynch’s iconic BLUE VELVET and that film also took some time to be accepted. Of course there are parts of this film that could be considered shocking or even bizarre.

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The problem with that is I have that same feeling about most wasteful and gruesome horror films that are put in theatres. Those films don’t even come close to the unpredictable story line that Refn provides with this piece. I had been given a ‘warning’ about THE NEON DEMON previously (but anyone who knows me is laughing at that) yet I was all in from the beginning.

You can not put a cast like this together and not expect something unique to happen. That’s what THE NEON DEMON is as far as I’m concerned. If anything it is a smack in the face about the definition of beauty and what people will do to get it, keep it and become famous for it. The ending is the topping on the cake and I actually have a quote that I’d give you about it but see it first and ask me for it later – trust me!

In the end – beauty is vicious!

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